Online training to a samba. Equipment of performance of steps. Lesson the 3rd (photo, video)

Online training to a samba. Equipment of performance of steps. Lesson the 3rd (photo, video)

Online training to a samba. Equipment of performance of steps. Lesson the 3rd (photo, video)
Rhythmic drawing of steps of a samba differs a variety therefore asks separate, fixed consideration. One step of a samba consists of the account 1i-2i. It means that on one step of music one is executed slow, two slow, two fast or four fast paces.

Online training to a samba. Equipment of performance of steps. Lesson the 3rd (photo, video)

Online training to a samba. Equipment of performance of steps. Lesson the 3rd (photo, video)

The samba with baunsy In many figures of a samba is used an element a samba-bauns. It is accepted to do this springing movement under a numerical method of the account. Samba-bauns is a vertical lifting and decrease, these elements are carried out at the expense of bending and straightening of an anklebone of a basic foot and a knee. The knee should become straight not completely and should not be strained. On each lifting and decrease 1/2 steps of music are taken away. That this element needed to be studied, the account is accepted "and". If to take for a reference point situation with the bent knees, a rhythm баунса will count on «and time», «and two» etc. When the rhythm баунса incorporates to a rhythm of steps, there is a new rhythm.

The samba without баунса But, баунс is used far not in all movements of a samba. Where this element is not present, the rhythm either fast (B), or slow steps is used. Steps of a samba which are executed into account 1 and 2 assume division of 2 blows of a step into three parts. the 1st part (one) is executed on 3/4 blows, the 2nd (and) – on 1/4 blows and 3rd – the whole blow.

Steps to a samba the Step forward begins with a foot small pillow with gradual transition to all foot. The step can begin and with a heel, but in a samba it is less than such figures. The step begins with a sock with transition to a small pillow, and later on all foot back. Steps aside become similar to steps forward. All dance knees should be a little weakened, feet move, generally back and forth, instead of here and there, as, for example, in a point or cha-cha. Movements by a basin in a samba correctly controllable and soft.

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