Than дискофокс

differs from хастла Than дискофокс

Than дискофокс differs from хастла
In last article we wrote how appeared and developed дискофокс and, and is concrete, directed attention that practically dance took everything from хастла. Some people in general consider дискофокс almost as a clone хастла, but, it at all so. If to look narrowly at these dances and to compare them, it is possible to find very enough distinctions testifying to feature дискофокса.

Than дискофокс

Than дискофокс differs from хастла

Rhythmic drawing Here, perhaps, the main distinction between 2 dances. Any changes in pair in хастле are executed into four accounts, and in дискофоксе – on three. Change in pair in both dances is when partners are interchanged the position. Including, one of the main distinctions of boundaries hastly and diskofoksy is «the mobile dancing space» the last with frequent change of positions by partners.

Technical distinctions In дискофоксе are certain rules in the directions of the beginning and the completion of movements while in хастле it is unscrupulous, in what direction you finish or start to dance a figure. Thus, in these 2 directions simply various strips of dance. Pair in дискофоксе should dance figures on a usual cross. In хастле the unlimited number of sharp changes of the directions that is even more unusual occurrence in дискофоксе is observed. Also дискофокс differs more rigid rules to turns of the partner near at hand the workmate at changes, and in хастле these rules are much softer, in view of that the big bias goes on convenience and comfort of partners in dance.

Social distinctions If to consider both dances as соц the phenomenon, distinctions are small. It is possible to note only that хастл call more соц, the entertaining phenomenon, and дискофокс it is intended more for those who loves competitions, wrestling and конкурентнсть.

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